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The only reason given for this horrific double murder is that the man’s name was on a list - a list that the movie never bothers to explain. Within five minutes of his return to Boston, McCall is kicking ass on a smug group of young power brokers who drugged and assaulted a female intern, and in filling his endless free time as a Lyft driver we see that McCall subjects himself to sadness from all levels of society.īut then, out of nowhere, viewers see a group of thugs in an apartment in Brussels, Belgium, shooting a wife and mother in the head before shoving the gun in her husband’s mouth to make it look like a murder-suicide. This first showdown comes fast and furious in the opening minutes, as a James Bond-style prologue that has nothing to do with the rest of the plot. But just as he was drawn into helping others using both his investigative and fighting skills in the first movie, McCall opens the sequel on a train that’s hurtling through Turkey as he finds and confronts a man who kidnapped his daughter out of spite for his wife. In the films, Washington plays a former CIA operative named Robert McCall, who made a deathbed promise to his wife that he would leave his shadowy, violent career behind. That success inspired Washington to make “The Equalizer 2,” the first sequel of his career, and judging by the huge response it received in landing in the top spot on the box office charts last weekend, it won’t be the last.
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Denzel Washington is one of Hollywood’s finest actors, a guy who can handle both serious drama in films like “Fences” and action in countless thrillers, such as “Man on Fire” and “Safe House.” He brings the two genres together in a way that few others can, adding serious moral weight to films that most other movie stars would allow to just be laden with cheap thrills.Īside from his villainous Oscar-winning turn in “Training Day,” perhaps the best example of Washington’s genre-blending is his 2014 hit “The Equalizer,” one of the films in his lengthy career to break $100 million at the US box office.